
Admissions
CvA Students
External Candidates
Learning Objective
After the two-year course, students will have developed their talents in line with the plan of study. They will then be ready to enter the professional music world at the highest level. The student will acquire the in-depth knowledge intended in the master's degree programme by choosing to study a particular area of repertoire which will be examined in a more profound and comprehensive way than is possible during the bachelor's degree programme.
Performance Programme Principal Study
Principal subject
Solo playing and/or, upon request, specialization in basso continuo. Principal private lessons by appointment.
Final project
Solo playing. The student will master the complete repertoire and will bring a more specialized interpretation to the principal study repertoire; he/she will also carry out research, which he/she will conclude by giving a lecture recital.
Basso continuo. The student will master the complete repertoire of chamber-music accompaniment in the different periods and styles according to the insights obtained by studying historical sources and will do research, on which he/she will report. To be determined by the student himself/herself.
Additional instruction in the principal study
Student activities
Playing, performing, participating in ensembles and projects; students specializing in basso continuo: giving lectures on the relationship between basso continuo and the project topic
Methods of instruction
Individual lessons, group lessons, projects involving lectures, lessons and workshops with guest teachers, excursions
Principal subject 'free space' selection
- internship
If students enrol in the performance-academic or the performance-pedagogy programme, the learning objective and curriculum will be tailored to fit the desired course of study in consultation with the teacher and the department head.
Other Subjects
Evaluation
Assessment Following the First Academic Year
During concerts given as part of an internship, it will be ascertained whether the student is undergoing the expected development. At the end of the first year, a discussion regarding the student's progress will take place. The performance will not exceed 50 minutes.
Final Examination
The candidate will give two public concerts:
1. Solo harpsichord playing: a programme lasting approximately one hour to be put together in consultation with the committee and which will include at least five styles, namely: virginalists or Sweelinck, seventeenth-century Italian music, seventeenth- or eighteenth-century French music, J.S. Bach, music written after Bach (Bach's sons or Scarlatti).
Specialization in basso continuo: A programme lasting approximately one hour to be put together in consultation with the committee and which will include at least seven basso continuo styles, namely:
2. A final recital to be designed entirely by the candidate in terms of choice of repertoire, programming and instruments, possibly with an ensemble or orchestra. Both the performance and the programme will be assessed. Subsequently, the candidate will present the results of his research in the form of a lecture; alternatively, the candidate may present a master level thesis.
Together, the concert and the lecture will not exceed 90 minutes. The candidate must submit his/her programmes no later than 1 March to the Student Registrar Office using the forms provided for that purpose.
The final examination will be evaluated by a committee comprising a representative of the Board of Directors, principal study teachers and an external committe member. Research to be evaluated seperately.
Criteria for Completion
Students will be admitted to the final examination only after the credits referred to above in the second and third points of the list of criteria have been earned.